Out Of The Box – Framed Poster – Matte Finish

from $45.00
This one started with a question: what happens when the art doesn't want to stay inside the frame? I took a black shadow box, tilted it on its corner, and filled the bottom with hundreds of quilled paper pieces. Coils, spirals, cylinders, shaped strips, all packed tight in every color I had on hand: pinks, blues, greens, yellows, purples, oranges, deep reds, browns, even a few metallics. Each piece started as a flat strip of paper. Rolled, shaped, glued by hand. Some are tight little spirals no bigger than a pencil eraser. Others are open rings or tall cylinders standing on end. Then I let them spill. The coils pour out of the bottom corner of the box and cascade downward into a thin, colorful trail, like they decided the frame wasn't big enough. The top half of the box is just empty white space, quiet and still. The bottom half is pure controlled chaos. I love the tension in this one. Order and overflow, containment and release, all in the same piece. There's something satisfying about making something that looks like it's in the middle of escaping. --- Printed on smooth matte art paper, the framed version keeps the contrast between the empty white space inside the box and the dense color below it sharp and clean. The matte surface tones down any glare so you can see each individual coil clearly, even the smallest spirals tucked into the cluster. The black frame echoes the shadow box in the image itself, which gives the whole thing a layered, frame-within-a-frame quality on the wall.
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This one started with a question: what happens when the art doesn't want to stay inside the frame? I took a black shadow box, tilted it on its corner, and filled the bottom with hundreds of quilled paper pieces. Coils, spirals, cylinders, shaped strips, all packed tight in every color I had on hand: pinks, blues, greens, yellows, purples, oranges, deep reds, browns, even a few metallics. Each piece started as a flat strip of paper. Rolled, shaped, glued by hand. Some are tight little spirals no bigger than a pencil eraser. Others are open rings or tall cylinders standing on end. Then I let them spill. The coils pour out of the bottom corner of the box and cascade downward into a thin, colorful trail, like they decided the frame wasn't big enough. The top half of the box is just empty white space, quiet and still. The bottom half is pure controlled chaos. I love the tension in this one. Order and overflow, containment and release, all in the same piece. There's something satisfying about making something that looks like it's in the middle of escaping. --- Printed on smooth matte art paper, the framed version keeps the contrast between the empty white space inside the box and the dense color below it sharp and clean. The matte surface tones down any glare so you can see each individual coil clearly, even the smallest spirals tucked into the cluster. The black frame echoes the shadow box in the image itself, which gives the whole thing a layered, frame-within-a-frame quality on the wall.