Out Of The Box – Framed Poster – Semi-Gloss Finish

from $65.00
This one started with a question: what happens when the art doesn't want to stay inside the frame? I took a black shadow box, tilted it on its corner, and filled the bottom with hundreds of quilled paper pieces. Coils, spirals, cylinders, shaped strips, all packed tight in every color I had on hand: pinks, blues, greens, yellows, purples, oranges, deep reds, browns, even a few metallics. Each piece started as a flat strip of paper. Rolled, shaped, glued by hand. Some are tight little spirals no bigger than a pencil eraser. Others are open rings or tall cylinders standing on end. Then I let them spill. The coils pour out of the bottom corner of the box and cascade downward into a thin, colorful trail, like they decided the frame wasn't big enough. The top half of the box is just empty white space, quiet and still. The bottom half is pure controlled chaos. I love the tension in this one. Order and overflow, containment and release, all in the same piece. There's something satisfying about making something that looks like it's in the middle of escaping. --- The luster finish sits between matte and gloss, which suits this piece. The colors in the quilled pile stay rich and saturated without the glare you get from a full glossy print. The subtle sheen on the paper brings out the shadows between the coils, adding a sense of depth to the cascade. Fine details like the striped coils and the tiny spirals at the trailing edge of the spill stay crisp.
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Frame Color:
This one started with a question: what happens when the art doesn't want to stay inside the frame? I took a black shadow box, tilted it on its corner, and filled the bottom with hundreds of quilled paper pieces. Coils, spirals, cylinders, shaped strips, all packed tight in every color I had on hand: pinks, blues, greens, yellows, purples, oranges, deep reds, browns, even a few metallics. Each piece started as a flat strip of paper. Rolled, shaped, glued by hand. Some are tight little spirals no bigger than a pencil eraser. Others are open rings or tall cylinders standing on end. Then I let them spill. The coils pour out of the bottom corner of the box and cascade downward into a thin, colorful trail, like they decided the frame wasn't big enough. The top half of the box is just empty white space, quiet and still. The bottom half is pure controlled chaos. I love the tension in this one. Order and overflow, containment and release, all in the same piece. There's something satisfying about making something that looks like it's in the middle of escaping. --- The luster finish sits between matte and gloss, which suits this piece. The colors in the quilled pile stay rich and saturated without the glare you get from a full glossy print. The subtle sheen on the paper brings out the shadows between the coils, adding a sense of depth to the cascade. Fine details like the striped coils and the tiny spirals at the trailing edge of the spill stay crisp.